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Home - The Arts Must Play a Leading Role in Making Sure No Lives are Lost to Addiction | Sean Daniels
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The Arts Must Play a Leading Role in Making Sure No Lives are Lost to Addiction | Sean Daniels

Contributor to The Sober CuratorBy Contributor to The Sober CuratorApril 18, 20254 Mins Read
Sean Daniels The White Chip
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Why I Keep Telling This Story (and Why I Always Will):

If you watched my recent speech, first—thank you. Thank you for caring enough to show up and listen to a conversation that, for far too long, has been whispered about, ignored, or misunderstood.

I opened that talk with a very real moment—my six-year-old daughter getting sick in the middle of the night. Not the glamorous kind of storytelling kickoff, I know. But that moment reminded me of something so important: I used to be the guy you couldn’t call in the middle of the night. And now, I’m not just the one she calls—I’m the one who actually shows up.

That shift? That’s recovery. That’s what 13 years (and counting) of sobriety looks like.

I shared my story not to relive the pain, but to show what’s possible. Because while I almost didn’t make it—almost didn’t see another day back in 2011—it was my mom (celebrating her one-year sober anniversary that very same day) who picked up the phone and helped me find my way forward.

And here’s what I believe: stories like mine shouldn’t be rare. They should be normal. They should be visible. Because there are over 40 million Americans living in recovery—and we are more than statistics, more than relapses, more than side characters in someone else’s dramatic season finale.

We need new narratives. Recovery is not a punchline or a plot twist. It’s a lifelong story, filled with people, community, hope, and yeah—sometimes puke at 2am.

I talked about peanut allergies (yep, really) and how we’ve completely shifted our national response to something once considered a nuisance. We did that because we took it seriously. Because we didn’t shame the people who had them. Imagine if we did the same thing for addiction.

We don’t think peanut allergies are a moral failing. But for some reason, we still act like addiction is. That has to change.

And I believe it can change—through the arts.

The arts shape what we see, what we feel, and what we believe. Ellen came out. Magic Johnson got HIV. “Will & Grace.” “Modern Family.” “The Normal Heart.” These weren’t just TV shows or plays. They were national narrative changers. They made the invisible visible.

That’s why I’m working to put life-saving resources—like those oak boxes filled with Narcan—into every Broadway house. It’s why I started the Recovery Arts Project and work with Live Tampa Bay. And it’s why I’ll keep talking about how the opposite of addiction isn’t just abstinence. It’s community.

Because when we center stories, when we center people, we make space for recovery to not just happen—but to thrive.

And ultimately, like Tony Kushner said about the fight for LGBTQ+ rights, our goal is simple: no more silent deaths.

That’s what I’m fighting for. That’s what this speech was about. And if it helped even one person feel less alone, more seen, more possible—then it was worth every word.

Thanks for watching. Let’s keep changing the story.

—Sean Daniels

Sean Daniels: The Arts Must Play a Leading Role in Making Sure No Lives are Lost to Addiction


About Sean Daniels

Sean Daniels is a person in long-term recovery who has been a public advocate for change in the arts field. His play, The White Chip, a NYTimes Critics Pick, has been performed around the world as a catalyst for community conversation and connection. Sean recently also joined the crew here at The Sober Curator, and we couldn’t be more thrilled about it.


SOBER ENTERTAINMENT: Immersed in Recovery: A Sobering Encounter with “The White Chip” on Broadway


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